Your browser (Internet Explorer 6) is out of date. It has known security flaws and may not display all features of this and other websites. Learn how to update your browser.
X
Post

Logo Design Inspiration

I’ve been working on a new logo for a client and have been doing a little research. I came across some work by a designer named Jeff Fisher. He has some great work. The Portland State and Hidden City logos are my favorites.

Red Truck Logo

Hidden City Productions

Laurelwood Public House Logo

Tree Hugger Porter

Free Range Red Logo

Portland State Logo

Portfolio

Post

The Process…

Being a designer is a struggle.  So many clients hire you, based on your portfolio, then design the project themselves.  I can’t be alone on this. Surely there are many other designers out there who can relate to this frustration.  Is there a point where you, as the designer needs to pull the plug and let the client know you are finished? Or, is it better just to do the work, make the client happy, then hide the project far from your portfolio? There is no good answer because at the end of the day, what’s the main purpose of being a designer? To make money. At least that’s how I’ve chosen to bring home the bacon to my family.

Here’s a great video illustrating the “creative” process and the disaster people who haven’t studied design can create.

But wait…that’s not all. I saw this video as a suggestion under the above and thought it was worth sharing.

Post

Weekly Town Crier

After a long hard week, enjoy this list of random links that we feel you may want to check out. Some may involve design, some may involve small business and others may just be something random we find interesting. Keep checking our site each Friday to find out what inspires or interests us. Feel free to email suggestions.

Follow us on Twitter.

Join our Flickr group.

Too busy to go to the movies let them come to you! circa 1967

A little daily affirmation.

Can you hold out for a week?

Designing a professional business card.

Facebook fan page tips.

Some great vintage photos via CEB

Bad habits to kill your career.

Great Band.

Great video by great band.

The video for The American Dollar’s ‘Second Sight’, from their album ‘Atlas’.

Video by Yan Goldshmidt and Garth Superville.

www.theamericandollar.info | www.brokengrid.com Released 1/1/10

Post

Seaside, Florida

It’s been a while since I’ve made a post.  I’ve been vacationing with family in Florida and trying to get caught up on all the work I left behind. I never realized it would be this difficult taking time off when running your own business.  Luckily, I kept up with email while I was gone. That could have been an ugly mess to come home to.

Seaside, Florida on the panhandle is a wonderful place. Luckily it hasn’t been affected, at least physically, by the BP oil disaster. There were a few tar balls on the beach.  I’m no scientist, but this didn’t seem to be much to worry about at all.

There weren’t many tourists.  Good for us, bad for the local economy.

Seaside is referred to as a new urbanist development. In 1981,when Seaside was built it was a free for all…literally. The county had no restrictions.  Lucky for us, the people with the vision, Robert and Daryl Davis, hired an excellent architect, Duany and Plater-Zyberk, and created a beautiful community.

Time magazine referred to Seaside as “The most astounding design achievement of its era and, one might hope, the most influential.”

A lasting impact on modern architecture and planning has been made by Seaside.  Developments are continually modeled after its success.

I took a few photos while on this trip.  Check them out on my Flickr photo stream.

Post

Architecture after Oil

Peak oil is here and industrialized civilization is facing its final challenge, the challenge that will decide if we as a species continue. Peak oil is not when the oil is gone, this is when the energy being put into drilling, pumping, transporting, refining, and finally selling the oil is greater than the energy of the oil being removed. This will happen to all resources eventually. This is happening now for oil.

But, some good news – architecture has a long history to draw on – almost all of it without industrialized oil based technology. Buildings account for around 70% of all energy use – creating building materials, transporting materials, construction, heating, power, lighting, demolition.

First what will be increasingly affected by decreasing oil supplies? Let’s start at the top, the roof. Bitumen, Hot Mop, Modified Bitumen, PVC, TPO, EPDM, tarpaper, asphalt shingles – all based on oil products. Expect these to increase in cost.

Next is flashing. Many modern flashings are EPDM. Architects and contractors know that flashings are what keep the envelope able to shed water. They are used everywhere. Metal flashings are mostly used on roofs. EPDM most often used around windows, sills and other transitions between materials. In addition to flashings are backer rods, also made of plastics (oil) these are used in expansion joints in façade materials.

The envelope of a building beyond the flashing materials discussed, there are many oil intensive materials used. Tyvek and other building wrap, including of course tarpaper are needed to make a moisture barrier are oil intensive. Vinyl based siding, EFIS – Elastomeric Finished Insulating System – is polystyrene with a thin layer of cement and latex based finish, are oil intensive.

These things are the stock and trade of modern building across all spectrums of typologies. So how can we build without these materials? Look at history, what’s been used before oil. Additionally reuse the oil intensive materials we’ve already manufactured.

First is masonry. Bricks have been in use for thousands of years, and before that mud bricks. Bricks made in the modern way use powerful gas fired kilns to cure the clay. Transportation can be a big oil use in bricks, so finding a local manufacture is a good way to reduce oil dependence. Reused bricks are another resource to look for.

Stone is another pre-oil resource, but quarrying and transporting it is very oil intensive now, but reusing stone into new construction is not. The pyramids of Giza, originally covered in white marble, but over the millennia after the Egyptian dynasties, the marble cladding was scavenged for use in Cairo. This is the fate of all un-used monuments.

Wood has been our other medium of choice for thousands of years. Our timber and lumber industry is geared to produce trees for the housing market. The large trees are gone or protected and the production forests are harvested as soon as possible to make the standard lumber we are familiar with. But standard lumber is not the only way to build with wood, it’s just what is most available and economical for commercial purposes. Every climate that has trees the culture has found a way to use this resource. From Pueblo dwellings that reuse the same logs (hence they stick out), to huts and yurts, log cabins, or long houses. In these modern times, reusing the older lumber locally is another lower oil impact resource. Another is urban logging that can recover wood from trees felled in storms or during development. Many times these mulched, but alternatively for construction or millwork. (Especially veneers and laminates)

Going back up to the roof, the most important surface that keeps the rest of the envelope working efficiently; there are certain factors that must be re-examined. I started listing all the oil-based products used in roofing. Prior to the miracle of bitumen-based roofing the options were slate, tile, thatch, metal and wood.  These components work, but they all require attention to detail.  The bitumen roofing systems have much simpler details, and can be rolled out (literally) very quickly. Building large flat roofs is a modern edifice. Pitching a roof is the easiest way to get the water off the materials. Only with the seamless and impenetrable surface of bitumen products can you have the 1/8” per foot slope, and have pools of water on a roof. All other materials are assembled in such a way to shed water. However, our modern technology has developed the living roof. By using the impenetrable EPDM or TPO as a substrate and then using modular trays to hold soil and succulent vegetation these two work together to make a living breathing surface. The soil and plants protect the EPDM from UV rays, and the plants can absorb the water that sits on top of the roof material. The green roof reflects heat, cutting heating and cooling costs, and absorbs some water that would enter the storm system.

The biggest hurtle architecture will face is localism. We as an industry are accustomed to getting our materials and equipment from across the country, even the world. As oil becomes more expensive, transporting construction materials will force us to look at local resources. So get to know your local industries, your local machinists and manufacturers. Where do these local manufactures get their resources, their equipment? We need to reexamine our details, specifications, and notes.

Links:

Green America’s National Green Pages, building materials

Peak Oil, more than you want to know

Plan B, Earth Policy Institute

Post

I can not live without books

“I can not live without books” -Thomas Jefferson

Pictured here is “Time-Savers Standards for Building types-2nd Edition”, Joseph De Chiara & John Callender  (1980), a 1280 page tome that is an excellent time capsule of late 70’s design thought in architecture. I found it in a used bookstore. First, I was ecstatic they had it, then I saw it was priced at five bucks! Then it hit me – this is here because some architect is selling his books to make rent. I bought it anyway. And I’ve been there too this year, selling books and videos to get grocery money.

I think that is sign of the times, architects parting with their books. It’s hard to do. Architects love their books; the monograph of the firm or designer that we aspire to be like. The books on theory, design manifestos and ideas, esoteric and academic they inspire us to look outside the box. Our books of design standards – details, advice, and lessons learned we incorporate into the construction plans.  Finally, there are the vital but dry codebooks, laboratory tested design books, and other engineering manuals.

I bought the book anyway. Why? First, I had over Five bucks in my pocket. Second – I believe I’m going to need it. Will I really need it? No. But I just can’t pass up a book full of plans, program and space organization information and other knowledge. It is horribly out of date, the cover has the twin towers on it, space planning predates the ADA, and has no mention of environmental design.  Despite that, it is still knowledge. Importantly it gives me insight buildings of that period.

So 30 years from now, children yet to be born who will be in their architecture career, will they have collections of books? What do you think?